We had Arabic on the last album. We like to do things together. I think it’s got some country-western and some Oriental influence, and then there’s the reverb, which sends you right to California. The girl has to sing without an accent, but there has to be a sort of fragility to the voice. MARLON MAGNÉE — There’s a kind of French class that they like. OLIVIER ZAHM — All of it in French. OLIVIER ZAHM — And who didn’t necessarily have big hits. So, we sang in French. In any case, the Gainsbourg and surf aspects are certainly there. by Anne-Sophie Guillet, c a m import export In group photos, everybody’d be looking off in a different direction, to make an artsy photo, and they’d film their videos on rooftops, and nothing would happen. But then, we love all languages. Based in suburban Paris, the Krautrock-inspired indie collective La Femme incorporate elements of '60s surf, psych rock, EDM, and classic French pop into their avant indie electronic music. He’s more or less responsible for Clémence’s image onstage. portrait by CESAR LOVE ALEXANDRE, la femme is reviving french “variété,” MARLON MAGNÉE — For the album, though, we used different female voices. Me, I’m okay with it, but other members of the band are not necessarily comfortable with that stuff. Then you’ve got groups like Deux and X Ray Pop. With gigs like that, you can finance your videos and your tours. Whereas we do everything the old-fashioned way, and we play the synthesizers by hand. The Italian compilations from the ’60s, the yé-yé singers — they were great, too. Suddenly, they’ve got pipes, a vocal style, and that doesn’t lend itself very well to our music. Avant-indie-electronic collective led by main songwriters Marlon Magnée and Sacha Got. When we discovered Des Jeunes Gens Mödernes and BIPPP compilations from the Born Bad label, that stuff influenced us a lot. and finding unprecedented success outside france. All people know about is Sylvie Vartan and Johnny [Hallyday]. By Katja Rahwels, kamel mennour by Éric Troncy, simon liberati It changes. I don’t know if you know Aymeric Bergada du Cadet. We like doing stuff like that. Once they get tics, they get a thing going. I think Paris has made a comeback in the 2010s. by Oscar Heliani, debeaulieu/pierre banchereau MARLON MAGNÉE — For me, what counts is to be proud of what you do. When we discovered Des Jeunes Gens Mödernes and BIPPP compilations from the Born Bad label, that stuff influenced us a lot. You think of Jacno, Serge Gainsbourg, Marquis de Sade, Taxi Girls, and their style — those guys worked hard on their look. OLIVIER ZAHM — There’s also a French ambience to it, a sensibility. Sam Lefèvre, our bassist, is also a sound engineer and our instrument repairman, the one who invents stuff and tweaks sounds. La Femme is a French psych-punk rock band established by guitarist Sacha Got and keyboard player Marlon Magnée in Biarritz.Many members joined in later including bass player Sam Lefevre, drummer Noé Delmas and Lucas Nunez from Paris. MARLON MAGNÉE — But even on shows like that, you find talent. Then there’s Delphine, and Zouzou, a great figure of ’60s Parisian nightlife. MARLON MAGNÉE — That’s true, but we’ve had so many female singers collaborate on our albums that there’d actually be many more women if they all joined us onstage. MARLON MAGNÉE — No, because at the time we were listening to French music and couldn’t speak English. We like straight vocals, with no effects. adjective. MARLON MAGNÉE — We each have our own thing. MARLON MAGNÉE — There are a few trad groups with the vintage 1962 guitars and the Fender amps and the typical reverb. Fotos: (La Femme en El Plaza Condesa) Toni François. MARLON MAGNÉE — We set an ambience, establish a feel. For one thing, we were listening mostly to French music, especially to a lot of rather obscure ’60s songs. MARLON MAGNÉE — That’s true. That’s why we often get singers who know how to sing but aren’t pros. That drives Sacha bonkers. That’s how I discovered groups like Deux and Marie et les Garçons. We like doing stuff like that. We ran into a lot of people who were real fans of that kind of music. OLIVIER ZAHM — It’s just that when we go see one of your concerts, we never know exactly what’s going to happen. Consigue fotografías de noticias de alta resolución y gran calidad en Getty Images They only put out really bizarre French stuff from the ’80s that had been kept in drawers somewhere. There’s. Sometimes we have a budget, and sometimes we make do with what we’ve got, as we did with Où Va le Monde? Achat Levis 501 marlon à prix discount. Composer: Marlon Magnée, Sacha Got MARLON MAGNÉE — We like to bring together gifted people, people with talent. I feel good when I go to LA, and I feel like I’m in my element in New York, but I’m very much attached to France. Moda Made In Spain. OLIVIER ZAHM — And Grace [Hartzel] sings, too? Ver los perfiles de las personas que se llaman Marlon Elle Ma. Of course, they also think we’re snobs. by Anders Edström, art (nouveau) by gianni oprandi If in 20 years, I listen back to my songs and find them just as wicked as before, then I’ve won. We want to put out lots of themed EPs [extended play records]. When we talk about a light subject, we like to have music that’s a little terrifying, and when we have overly nice music, we like to flip things and have somewhat nasty lyrics for contrast. OLIVIER ZAHM — And you’re appearing on TV, on Star Academy. Writer: Marlon Magnée, Sacha Got. Purple LIVE: INTERVIEW OF MARLON MAGNEE FROM THE BAND LA FEMME. In group photos, everybody’d be looking off in a different direction, to make an artsy photo, and they’d film their videos on rooftops, and nothing would happen. But America’s still cool. Even my mother used to say so. MARLON MAGNÉE — Yes, but it wasn’t always the case. It takes time. That’s why he wanted to thin out the touring schedule a bit. It’s cinematic. But La Femme can at times be a little afraid of fashion. OLIVIER ZAHM — You have a particular look. A romanticism. We said: “Holy shit, listen to her! OLIVIER ZAHM — That’s what I like about your group. He’s an art director, stylist, and performer. by Gianni Oprandi, chantal crousel We like to do things together. That’s why he wanted to thin out the touring schedule a bit. I was lucky enough to meet him in Paris. [Where Is the World Going?]. We’re just wrapping up some new songs. Things are still a little unclear. by Daido Moriyama, quiet days in clichy by anders edström Marlon Manee from La Femme Band and Marine Neuilly ex musician from Les Plastiscines band attend Les Bains Music Festival Day Two at Les Bains Paris on February 21, 2019 in Paris, France. by Olivier Zahm, gucci by martin parr La Femme is not one woman. Fallece Christian, el hijo mayor de Marlon Brando, a los 49 años Su ex mujer, Deborah, y sus abogados dieron a conocer la triste noticia a los medios de comunicación Zapatillas para tu día a día. MARLON MAGNÉE — It’s like with yé-yé. by Olivier Zahm, françois simon by Olivier Zahm, l’arpège/alain passard The group was named La Femme in 2010. MARLON MAGNÉE — Yes. We don’t give a damn. We had Arabic on the last album. But then, we love all languages. Do I want to become a musician?” I’m really proud to have achieved a big part of our dreams. I think it’s got some country-. Later, there was jazz in New Orleans, etc. Leur union ne tiendra pas deux ans, mais donnera naissance à un garçon, Christian. live there’s no prerecorded track. MARLON MAGNÉE — I love Christophe, but I was never a big fan of his music. OLIVIER ZAHM — So, the core of La Femme is you and Sacha [Got], but there’s an open side, a collective side. MARLON MAGNÉE — At our concerts, we want our audience to dream. Those who do that aren’t the best, and it shows. It takes time. She’s the one who did the vocals. Me, I’m okay with it, but other members of the band are not necessarily comfortable with that stuff. Merci à Marlon pour sa bonne humeur. It’s a feeling. You don’t feel that it’s limited to four, five, or six people. Ne manquez pas de découvrir toute l’étendue de notre offre à prix cassé. by Suffo Moncloa, catherine malabou by Juergen Teller, camille henrot We’d done a song called “Always in the Sun.” And she sang one of the songs I did for Celine. For Les Victoires de la Musique, we performed with guys dressed up for a 1920s cocktail, and the music started up, and we started to play. MARLON MAGNÉE — But even on shows like that, you find talent. He’d rather play new songs. by Olivier Zahm, bob nickas If in 20 years, I listen back to my songs and find them just as wicked as before, then I’ve won. by Emanuele Coccia, berluti by andreas larsson by Mehdi Belhaj Kacem, eric troncy I think Paris has made a comeback in the 2010s. There’s this immense tenderness, and at the same time there’s a quest for a kind of synthetic dream and experimentation in the overall feel because you’re a fairly feel-oriented group. Do I want to become a musician?” I’m really proud to have achieved a big part of our dreams. MARLON MAGNÉE — At our concerts, we want our audience to dream. We don’t give a damn. We paid for own first tour with restaurant jobs. That’s it. There’s him and Indochine, who are still making music. MARLON MAGNÉE — We’re just getting settled into the landscape, but we’ve still got plenty of work ahead of us. I was lucky enough to meet him in Paris. MARLON MAGNÉE — No. OLIVIER ZAHM — The funniest definition I’ve found of your music came from a guy who called it “surf/Gainsbourg.” How do you see it? It’s cyclical. I remember being in high school and dreaming about putting together a group and saying to myself: “What the hell am I going to do later on? by Jérôme Sans and Olivier Zahm, the pinault collection/martin bethenod MARLON MAGNÉE — Yes and no. MARLON MAGNÉE — It’s like with yé-yé. MARLON MAGNÉE — Yes. Then there was the “Des Jeunes Gens Mödernes” exhibition in 2008, on which occasion they put out some great stuff. It’s like women singing in the heavens. by Olivier Zahm, eva ionesco Now that everyone sings in French, I feel like singing in English. MARLON MAGNÉE — That’s what people said at the start, but it turns out there’s plenty of foreigners who prefer us to sing in French. MARLON MAGNÉE — Yes and no, because when you do 200 concerts a year, you can end up performing the song like a machine. OLIVIER ZAHM — Or maybe it’s just getting back to where it was? Marlon Magnee from La Femme Band, designer Maxime Simoens, Grace Hartzel, photographer Pierre Commoy, painter Gilles BlanchardÊattend the MX Paris Max Simoens Flagship Opening Show Party as part of... Get premium, high resolution news photos at Getty Images Then there’s Delphine, and Zouzou, a great figure of ’60s Parisian nightlife. I think what we were doing seemed a bit exotic to them. MARLON MAGNÉE — For me, Étienne Daho is the name everyone remembers. The group was named La Femme in 2010. MARLON MAGNÉE — Yes. singing in french, embracing the melodrama of love, MARLON MAGNÉE — Yes, and we meet up from time to time. You just have to be proud of your own music. They keep everything just the way it was. MARLON MAGNÉE — Yeah, I really think so. We use very pure ’60s voices, with nothing but reverb. That voice!” So, we had her sing on one of the songs on the last album. There are plenty of reasons, in truth, but that helps cut the discussion short, stop the debate. But things can go far, and they have to go further. You’ve been working hard for 10 years, and La Femme is getting more and more successful, but now you practically represent French music today. MARLON MAGNÉE — We like to bring together gifted people, people with talent. That was important in the beginning. When we talk about a light subject, we like to have music that’s a little terrifying, and when we have overly nice music, we like to flip things and have somewhat nasty lyrics for contrast. OLIVIER ZAHM — Where does the surf come from? There are plenty of reasons, in truth, but that helps cut the discussion short, stop the debate. OLIVIER ZAHM — Especially since there are more guys than girls in your group. The Wanderers and The Wongs and Les Cavaliers, for example. OLIVIER ZAHM — And your next project? That’s it. Download Resume. It reminds me of Mano Negra and groups like that. Then you’ve got groups like Deux and X Ray Pop. OLIVIER ZAHM — You’re all off working on your own? Grace is in it. by Benedict Brink, prada by araki MARLON MAGNÉE — There are a few trad groups with the vintage 1962 guitars and the Fender amps and the typical reverb. edito It comes, it goes. You do it for a long time, with love, and your product feeds in to the march of time. by Simon Liberati, anna dubosc Later, during the New Wave and the Cold Wave, we were still listening mostly to French stuff. That’s why we often get singers who know how to sing but aren’t pros. Read Full Biography. [1]​, En febrero de 2014, el grupo logró ganar en Victoires de la musique (del francés, victorias de la música), en la categoría álbum revelación del año con Psycho Tropical Berlin, lanzado en 2013, el cual permitió su reconomiento a nivel nacional, principalmente . But there were people with great potential. That’s how you recognize them. She was a traditional Corsican singer who sang super high, like a bird. OLIVIER ZAHM — In the end, Paris is making a comeback, wouldn’t you say? MARLON MAGNÉE — Yes, and we meet up from time to time. That way, they don’t have any tics. by Andrea Spotorno, refettorio paris/jr Your childhood in Biarritz? Clara top. by John Jefferson Selve, ariana reines by Paolo Roversi, bottega veneta by andrea spotorno It’s true that when I was in high school, I listened to a lot of yé-yé. For Les Victoires de la Musique, we performed with guys dressed up for a 1920s cocktail, and the music started up, and we started to play. There are super underground parties, super cool stuff. by Maurizio Cattelan and Marta Papini, john jefferson selve Born Bad is a great French label with a real indie visual aesthetic. People love our French accent. And it’s cool because now we can rediscover them on YouTube and the Internet. Esta página se editó por última vez el 6 nov 2020 a las 20:35. Over there, it’s mostly psychedelic, things that are a bit more pop, like Pitchfork. It’s not the case with all our songs, but for me some of them are French chanson. MARLON MAGNÉE — No. I’m truly glad, in any case. He’s got a wacko group of performers. It’s an ensemble. They see France as this great country. Contact. OLIVIER ZAHM — With the trade-off that foreigners wouldn’t understand you. MARLON MAGNÉE — That’s funny and flattering, too. The Italian compilations from the ’60s, the yé-yé singers — they were great, too. We’re just wrapping up some new songs. Reverb. MARLON MAGNÉE — Yes, that’s part of it, with lots of people who come and go. There are songs that’ll sound more like surf, more like electro, more like psychedelic music, but what ties them together in the end is the sound of La Femme. We do intros. He’s an art director, stylist, and performer. We ran into a lot of people who were real fans of that kind of music. The girl has to sing without an accent, but there has to be a sort of fragility to the voice. La Femme Marlon Magne }}- Canal Once, México, octubre de 2017. French Rock musician Marlon Magnee performs with the group La Femme during the annual 'Fete de la Musique' celebration at Central Park SummerStage, New York, New York, June 21, 2016. We use very pure ’60s voices, with nothing but reverb. You should do what you can with the constraints of the moment. They didn’t sell at the time. OLIVIER ZAHM — To get back to yé-yé, what do you think of that period? It’s like women singing in the heavens. by Emilien Crespo, serge gainsbourg MARLON MAGNÉE — For me, what counts is to be proud of what you do. by Olivier Zahm, la femme/marlon magnée Once they get tics, they get a thing going. But there were plenty of other singers who were great. MARLON MAGNÉE — We don’t want to be stuck in a category. Sometimes you work really hard on something that goes nowhere, and sometimes an idea that doesn’t cost a cent works better. Various members joined later, including bass player Sam Lefevre, drummer Noé Delmas and Lucas Nunez from Paris. OLIVIER ZAHM — The fuel or the energy behind your success is that it’s connected with the history of French chanson. Bikini Barcelona. That’s how you recognize them. They’re purists who make music the way they did in the ’60s. Marlon semble être aux anges pendant ces vacances de rêve. MARLON MAGNÉE — No, because at the time we were listening to French music and couldn’t speak English. MARLON MAGNÉE — That’s true, but we’ve had so many female singers collaborate on our albums that there’d actually be many more women if they all joined us onstage. We paid for own first tour with restaurant jobs. Back then, groups would show up in street clothes. MARLON MAGNÉE — On albums, we do everything to a click, with synthesizers, but live there’s no prerecorded track. They keep everything just the way it was. by Olivier Zahm, samuel françois by olivier zahm The French heard it and said: “Yé! That’s how I discovered groups like Deux and Marie et les Garçons. MARLON MAGNÉE — Yeah, I really think so. MARLON MAGNÉE — Cities become cradles of culture at certain times. And also through the soundtrack to. MARLON MAGNÉE — Yeah, but there’s a common thread. En octubre de 2017 La Femme presenta el sencillo, Orgie De Gobelins Sous Champignons Hallucinogènes, http://www.brain-magazine.fr/article/interviews/13619-La-Femme---Femme-publique, http://www.france2.fr/emissions/les-victoires-de-la-musique-varietes/palmares-2014_212058#psycho-tropical-berlin-la-femme-164984, http://www.lesinrocks.com/2016/03/17/musique/la-femme-est-de-retour-avec-sphynx-et-ca-fait-deja-tres-mal-11813027/, https://es.wikipedia.org/w/index.php?title=La_Femme&oldid=130707838, Cantantes con vídeos musicales certificados por Vevo, Wikipedia:Páginas con referencias sin título, Wikipedia:Páginas con referencias sin título y con URL, Wikipedia:Artículos con datos por trasladar a Wikidata, Licencia Creative Commons Atribución Compartir Igual 3.0. In 2010, when we started, we wanted to show up with a curated look, like Les Rita Mitsouko, with an art director, a world, and real videos. Surf music is something I actually discovered in Paris, especially through a group called Les Cavaliers. They’re way underground, super dark wave, and they’ve stood the test of time. We’ve done it two or three times, but we don’t want to do any more shoots with credits at the bottom. OLIVIER ZAHM — It’s good to keep things eclectic, and you’re very eclectic. La Femme | Length : 03:50 . 13 - LA FEMME RESSORT (5’23) Ecrit et composé par: Marlon Magnée, Sacha Got Chant: Jane Peynot Choeurs: Clara Luciani Enregistré par: Samy Osta et Sam lefevre Mixé par: Samy Osta Editeur: Rockumentary Publishing 14 - WELCOME AMERICA (2’27) Ecrit par: Marlon Magnée, Sacha Got Composé par: Marlon Magnée, Sacha Got, Sam Lefèvre We set the mood. We’ve done things for fashion, sold singles, like with Celine. by Olivier Zahm, kapwani kiwanga by Bob Nickas, louis vuitton by dario catellani Los fundadores del grupo fueron Sacha Got (guitarra, thérémine) y Marlon Magnée (teclado), quienes se encontraron en el Liceo de Biarritz. MARLON MAGNÉE — Yes, it’s personal. Nowadays, almost all groups use a computer. We’ve done it two or three times, but we don’t want to do any more shoots with credits at the bottom. You do it for a long time, with love, and your product feeds in to the march of time. It’s cinematic. I think that with art and creation, you shouldn’t be shutting doors. MARLON MAGNÉE — No. We set the mood. I’m truly glad, in any case. For classical music, it was Vienna. I don’t know if you’ve managed to watch. La Femme, are back with their new single “Paradigme,” the track is off the French psych-pop band’s upcoming third album. MARLON MAGNÉE — We take all our biggest influences and mix them up. That drives Sacha bonkers. He doesn’t find it very artistically noble to play the same song every night. Psycho Tropical Berlin ~ Release by La Femme (see all versions of this release, 6 available) Way cool!” And they tried to reproduce it. kind of French class that they like. Marlon, habiendo encontrado a Sam Lefevre (bajo) y a Noé Delmas (batería), en París, se toma el nombre de La Femme en 2010. Patty Pravo, “La Bambola,” for example, which is beautiful but also full of unknown stuff. They press play, and there are samples to back them up and make things sound fat. OLIVIER ZAHM — The funniest definition I’ve found of your music came from a guy who called it “surf/Gainsbourg.” How do you see it? by Olivier Zahm, le serpent à plumes/vincent darré We do what’s necessary. Comprised of Sacha Got, Marlon Magnée, and Sam Lefèvre, this is La Femme’s first release since their 2016 LP Mystére. Aujourd'hui jeudi 3 décembre 2020, faites vous plaisir grâce à notre sélection Levis 501 marlon pas cher !